Movement and motion

The statue of the roadway and cars resembles implied motion. The cars are in the act of driving off the road but the action is not actually being completed. The motion of the cars driving off the roadway is implied based on what the viewer is interpreting of how the action is going to be completed. This is based on the direction the cars are facing on the road, how the cars are at the end of the road, and the focus towards the sky. This also relates to our basic knowledge of balance/ imbalance, movement leveraged by line, direction, and shape, and the idea we expect patterns and lines to always continue. Based on our prior experience of driving, cars, and roadways, we interpret this 35-meter high stature of 2 cars to be in the process of driving off into the sky.

This Statue of the two Big Rig Trucks resembles implied motion.  The tow Big Rigs are in the acts of rolling over one another but the action is not actually being completed.  The motion of the big rigs rolling over one another is implied based on what the view is interpreting of how the action is being completed. This is based on the direction of each big rig and how the big rigs are positioned amongst one another. This also relates to our basic knowledge of balance/ imbalance, movement leveraged by line, direction, and shape, and the idea we expect patterns and lines to always continue. Based on our prior experience of big rigs on the road and the action of vehicle accidents, we interpret these two big rigs will roll over eachother.

Tone and Color

The image shown is used part of the interior driver's side dash of an automotive passenger vehicle. An RPM Tachometer gauge is used to notify how fast the engine is spinning in revolutions per minute. The drive uses the information shown to know when to upshift or downshift to the next gear on the transmission shift selector.

Tone is dependent on context in relation to type design (font size). In this case in order for the driver to effectively view how fast the engine is spinning, a black background is needed to see the white number type and yellow increment dashes. Spatial layout is also needs to be taken into account. Tone is interacting with lines in order to show progression in scale. The proper tone is used to effectively see the increment of lines.

Color is used as a way to communicate to the user. In this case, red colored arrow is used to notify how fast the engine is spinning. As the engine rpm increases or decreases in speed, the arrow gradually goes up or down through each increasing or decreasing number.

Basic Elements

Dimension is clearly active in this 2 dimensional visual representation of a sport racing seat produced by Recaro. The two angle view of the seat and the noted measurements allow the reader to make a full interpretation of actual size and shape of the seat based on his/her depth perception.    

 

Dots are clearly active in this 3 dimensional computer aid drafting model of this wheel rim design. The dots are used to create points in space to form the spokes, wheel lug heads, and round shape diameter of the wheel rim. The sequence of dots eventually leads to the complete physical surface and structure of the design.

Lines are clearly active in this 2 dimensional sketch of the bicycle design. The lines are used to define the elements of the handle bars, frame, seat, wheels, and pedal assembly in the development process. The sequence of lines and the elements as a whole eventually make up a complete physical structure of the bicycle design.

Design Success and Failure in Relation to Syntactical Guidelines

When BMW decided to produce the 2002 model back in the late 1960's to the mid 1970's they took into account many factors to make it a success.The focus on a short wheelbase two door car brings balance to allow functional handling advantages. The lighter body helps to improve performance while the 2.0 liter 4 cylinder engine gives sufficient power based on the vehicle's weight providing a balance of stress. The two door set up allows the user to perceive the vehicle as being very sporty. The attraction and grouping of the individual parts makes up the complete design of the vehicle. As a result of following these syntactical guidelines, BMW was able to make the 2002 a very marketable vehicle in the 1970's and until this day has continued to be a legacy.

The Ford Capri MKI was product from the late 1960's to the mid 1970's. In April 1970, Ford began selling the Capri outside Europe, in the North-American, South African and Australian markets. A great coupe well known by it's great physical attributes but the problem for the first several years was that these versions were all underpowered with the Kent 1.6 L 4 cylinder engine. The power to weight ratio was imbalanced and due to the low power to weight ratio caused a high level of stress on the engine. This was finally replaced by the Pinto straight 4- 2.0L engine in 1971. The increase in engine displacement allowed the increase in power to weight ratio which in tern helped to retain the Ford Capri MKI's legacy.

Visual Thinking Research

In choosing the shortest of the colored rope in the 2 top images, Leia and I took the approach to visually measure how many full circles each colored rope would make. We both did choose the incorrect answer.

In choosing the correct path to reach each of the 20 points, Leia and I each tried multiple times until completing the path correctly. I was able to complete the task within 5 tries making a mental note to only go through each path and point once.

Visual Perception 1: Top-Down Visual Processing

Meaning 2: Interactions Between the 3 Levels

Representational

At first glance, individuals would see this as a regular boxing glove. But as one further examined this picture, they would realize that this was a USB Flash Drive Unit. This is a abstract design of a boxing glove form used for expressive and functional purposes.


Abstract

Abstracting a boxing glove form provides  a unique design for a USB flash drive unit. It's a concept based abstraction that is a 3 dimensional representation of the product.


Symbolic

Ringside is well known in the boxing and martial arts world as providing a product line of quality and performance boxing equipment. Their trademark symbol distinguishes themselves from their competitors at the same time provides website and telephone contact information as part of their logotype design. Without the logotype design, consumers would be unaware of the manufacturer of this abstract boxing glove USB flash drive and assume that this was just a regular boxing glove of unknown quality.